Field Production Tools
Sony PMW-EX3 broadcast camcorder
Sennheiser EW-100 G3 Wireless Lavalier System
Audio Technica AT-897 Shotgun Microphone
Omni utilizes broadcast quality cameras like the Sony PMW-EX3 which offer high quality imaging in nearly all shooting situations.
Additional cameras available include the JVC-HM-150 and the Apple iPhone 13 Pro shooting in Prores for situations where a lightweight and mobile shooting environment are required.
When necessary, Broadcast quality 4K cameras can used to provide additional flexibility in shooting and editing resolutions.
Omni’s field shooting package includes a professional Lowel lighting kit with a mixture of soft and hard lighting options for small and medium sized spaces and battery powered LED lighting fixtures that allows for quick and portable setups inside or outside.-camera or a mic stand. Both offer Superior broadcast-quality audio to the camera.
Professional audio acquisition tools include Sennheiser’s EW 100 G3 Wireless Lavalier microphone system for interview and on camera use and the Audio Technica AT-897 shotgun microphone which can be mounted on-camera or a mic stand. Both offer Superior broadcast-quality audio to the camera.
For audio-only recording, Omni uses the MXL USB microphone which is ideal for recording voiceovers in remote locations and which also makes an excellent microphone for podcasting, video conferencing and streaming productions.
Post Production Tools
Adobe Premiere
Adobe Audition
Adobe After Effects
Omni has the capability of utilizing multiple post-production tools depending on the needs of the client.
Adobe Creative Cloud is the preferred editing option, offering superior integration of Adobe Premiere’s video editing functions including with Audition for audio editing and sound design, After Effects for motion graphics and video effects in 2D and 3D space, Photoshop for still image editing and Media Encode for high-quality conversion to virtually any format required by the client.
The Adobe production suite also allows the flexibility to extend the functionality with specialized plugins like Boris Title Studio for more sophisticated text animations and 3D titleing.
Additional capabilities include sophisticated AI driven upscaling software that allow legacy footage to be integrated into the preferred output resolution with enhanced video quality and video noise reduction tools to improve the quality of video shot under less than ideal conditions.
Audio noise reduction and repair tools from Izotope also help ensure the audio quality of your production is at it’s best, even when shooting in noisy ambient situations.
Apple Final Cut Pro
Apple’s Final Cut Pro and Motion are also available for clients who may have started projects in that environment and need to maintain compatibility with Apple production tools.
Apple Motion
Davinci Resolve Studio
An additional option with full featured production capabilities is Davinci Resolve by Blackmagic.
Resolve offers a complete post-production suite including sophisticated editing capabilities with superior color correction and image enhancement tools while retaining full featured audio and motion graphics and effects in an integrated package.
Davinci Reolve Color correction
Technology
Apple’s Mac Studio is the primary computer used for all post-production. It allows for fast and efficient editing, motion graphics visualization, exports and conversions. A MacBook Pro is also available for portable video playback at events, remote audio and video acquisition and light editing functions at remote locations.
Additional studio tools include:
- Sony Professional HD broadcast Monitor calibrated for broadcast specs for previewing editing timelines
- Sony DSR-45 DV/DVCAM vTF
- Sony Betacam SP VTR
- JVC SVHS and VHS capable VTR
Output is available to most standard digital video formats and can be optimized for delivery to multiple streaming or social media platforms like YouTube, Vimeo, Facebook and Twitter. Conversion to and from DVD and Blu-Ray formats is also available.
We pay particular attention to archiving video and project elements in the highest quality formats possible. When projects are completed, all raw footage, audio, images and project files are backed up to multiple formats with at least one kept offline to ensure that projects are available in the future for re-editing or conversion to additional formats.
When project needs demand it, additional resources can be contracted for allowing for live multi-camera switching and streaming capabilities including integration into hybrid-meeting and conferencing environments.